Alternative theatre has emerged as a powerful cultural and communicative medium that challenges dominant theatrical conventions while actively engaging audiences in social discourse
Dr, Harsha B Abeykoon
Abstract
Alternative theatre has emerged as a powerful cultural and communicative medium that challenges dominant theatrical conventions while actively engaging audiences in social discourse. This study examines the development of alternative theatre in Sri Lanka with particular emphasis on its role in communication and its influence on audience perception and consciousness. Drawing upon historical, theoretical, and contextual analyses, the research explores how alternative theatre functions as a dynamic process rather than a fixed artistic form, continuously evolving in response to social, political, and cultural transformations. The study further situates Sri Lankan alternative theatre within global theatrical traditions, highlighting its connections with street theatre, experimental performance practices, and development communication. By analyzing the communicative capacity of alternative theatre to raise awareness, encourage critical thinking, and mobilize public participation, this paper argues that alternative theatre remains an effective and socially responsive medium in contemporary Sri Lankan society. The findings demonstrate that alternative theatre serves not only as an artistic expression but also as a significant tool for social communication, development discourse, and audience engagement.
Keywords: Alternative Theatre, Street Theatre, Development Communication, Audience Perception, Sri Lankan Theatre
DOI link – https://doi.org/10.69758/GIMRJ/2512S01V13P020
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